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Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

In this 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

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EngineLab and AWS Support Studios on the Way to Cloud-Based Production

EngineLab works with Amazon Web Services (AWS) to help creative teams manage the time and resources needed to build cloud workflows for projects.

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Colourist Sam Chynoweth Creates a Look in the Mirror for Black Mirror Season 7

In the first of a 3-part series, senior colourist Sam Chynoweth at The Farm talks about grading the most recent season of ‘Black Mirror’, delivering an independent look for each episode.

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FilmLight Looks Back on 2024 Award Winners

The FilmLight Colour Awards draw attention to the artistry and technical precision of colourists who bring the magic of colour to projects from independent features to stylish commercials

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FilmLight’s Daniele Siragusano Looks into the Future of Colour in Filmmaking

Image engineer Daniele Siragusano talks about integrating ML and AI into Baselight, aiming to improve control and efficiency for colourists, without losing their artistry and creativity.

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Molinare Chooses Nara to Enhance Efficiency in Post-Production Pipelines

Nara gives fast, secure access to media in any format at any of Molinare’s locations – for both staff and clients – and will soon be used to work efficiently across the Molinare Creative Group.

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Founder Rob Harvey on Taking Risks, VFX and Life at Lola Post

Rob Harvey, founder, Creative Director and award-winning VFX Supervisor at Lola Post Production, talks about building, growing and nurturing his studio over the last 25 years.

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Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

Colorfront demonstrated mastering workflows with its own HDR Cinema Tools alongside HDR projection systems from Christie and Barco, advancing viewing quality and preserving creative intent

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Squid Game Season 2 Takes Another Chance at Colour, Drama and Life

DoP Kim Ji-yong and Colourist Park Jin Young talk about working together on season 2 of ‘Squid Game’, shot on ALEXA 35, using light, colour and a grade in Baselight to tell a darker story.

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DaVinci Resolve Brings New Zealand’s 'Shortland Street' into the Streaming Era

Adopting Resolve means long-running drama Shortland Street has a modern new look, and its post team can keep the entire workflow in one app, from conform to colour, VFX and graphics.

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Colourist Tom Cairns Builds Looks and Stories with Brick and Mortar

Colourist Tom Cairns talks about launching Brick and Mortar, his new post facility in Glasgow, and installing Baselight grading suites and Scotland’s first DCI-compliant grading theatre.

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DaVinci Resolve Studio Takes an Editorial Role on Anime Feature ‘Look Back’

Film editor Kiyoshi Hirose talks through the special case of editing anime productions, and how DaVinci Resolve and Blackmagic Cloud can make anime post more professional and efficient.

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Nara’s Updates Enhance Efficiency, Security and Speed in Post Workflows

Nara shows new features at MPTS including analytics tools, real-time transcoding capabilities, a smart project management feature, plus tools for notes and comments to aid collaboration.