Production

DMW Awards Partner

Fifty Frames Enlists AJA Gear to Control and Elevate Live Event Production

Christian Heinzel’s team at Fifty Frames use AJA Ki Pro Ultra 12G recorders, FS-HDR HDR/WCG converters and KUMO 3232-12G SDI routers to keep a level of certainty in live environments.

Production

Fifty Frames Enlists AJA Gear to Control and Elevate Live Event Production

Production

Mediaproxy Receives Dolby Approval for LogServer and Multiviewer

Mediaproxy is awarded approval for Dolby Digital Plus and Dolby AC-4 decoders, adding support for all Dolby codecs and Atmos immersive audio format to Mediaproxy’s LogServer.

Production

Moments Lab Delivers Public API for MXT Multimodal AI Indexing

Moments Lab’s new API enables engineers to natively integrate AI understanding of video with any software to generate humanlike descriptions of content.

Production

Vislink DragonFly V 5G Miniature Transmitter Supports Portable Live Video Streaming

The new Vislink DragonFly V 5G bonded cellular miniature transmitter combines 5G connectivity with high-performance video streaming capabilities in a small, lightweight device.

Production

RecodeXR Selects Brompton LED Processing for Full Virtual Production Services

RecodeXR delivers turn-key services from their virtual production studio in Manchester, designing a precise, agile production for each customer to suit very specific requirements.

Production

Sony’s New DWM-30 Wireless Mic to Increase Stability, Flexibility, Codec Modes

Sony will launch a new handheld digital wireless microphone, the DWM-30, in early 2025, adding it to their existing DWX Digital Wireless microphone series as a microphone transmitter.

Production

Corbel 3D Accelerates Image File Transfers on Signiant Media Shuttle

Corbel 3D’s high volume of image data relies on efficient file transfers between Vancouver and Beijing teams and global clients, using Signiant’s secure Media Shuttle transfers-as-a-service.

Production

SMPTE and Avid Publish New ST 2067-70 Standard for the VC-3 Codec in IMF

SMPTE has joined with Avid to publish a new standard for the VC-3 codec, Avid’s DNx family, in the IMF standard, Simplify Distribution of Audiovisual Content for broadcast.

Production

LiveU Studio Localises Live Worldwide Streams for EuroLeague Basketball

Skweek uses the LiveU Studio SaaS to stream EuroLeague Basketball events in France and Monaco to multiple platforms simultaneously, adding cloud-based remote local commentary.

Production

Mo-Sys’ James Uren Launches OpenTrackIO Protocol at SMPTE 2024 Summit

Mo-Sys' TD James Uren presented the new open-source camera tracking protocol OpenTrackIO at SMPTE’s Media Technology Summit, aiming to set a new standard for virtual camera tracking.

Production

Blackmagic Captures the Action and Look of Hiroshi Okuyama’s My Sunshine

Director Hiroshi Okuyama shot his film on the Pocket Cinema Camera 4K and worked with his colourist on DaVinci Resolve Studio in post to create the atmosphere and manage the colour.

Production

Vizrt’s TriCaster Gains Two New Models, Opens Up on AWS Marketplace

Vizrt is extending its line-up of TriCaster production switchers with TriCaster Vizion and TriCaster Mini S, and made two cloud-ready versions available in the AWS Marketplace.

Production

Adobe Launches Firefly Video Model, Ready for New Creative Cloud Applications

At Adobe MAX, Adobe added a new video model to its Firefly line of generative AI models, with Text- and Image-to-Video capabilities, and showed new AI functionality across Creative Cloud.