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Speaking a New Story Language – Apple Immersive Video

In their new book, filmmakers Ben Allan and Clara Chong talk about navigating the new Apple Immersive Video format, sharing tips, discoveries and storytelling experiences.

Production

Speaking a New Story Language – Apple Immersive Video

Production

Vizrt’s AI-Driven Updates Enhance Speed and Accuracy in Media Management

Vizrt releases AI-driven updates for its MAM Viz One 8.1, with new capabilities to help content creators log, find, create and repurpose media faster with more flexibility and accuracy.

Production

Archivio Luce Employs DFT’s Polar HQ Scanner to Digitize Damaged Film Reels

The Archivio Luce team has used DFT’s Polar HQ scanner to digitise extensively damaged film reels that had previously been considered too fragile to scan.

Production

Blue Lucy and VSI Group Renew Automated Localisation Partnership

VSI uses the Blue Lucy BLAM Content Factory to automate and simplify localisation workflows, handling secure, reliable, auditable content management throughout the production lifecycle.

Production

Light Sail VR Takes On Blackmagic’s Immersive Storytelling from Capture to Post

Matthew Celia has devoted years to the evolution of immersive cinema and technical requirements for today’s workflows working with URSA Cine Immersive and DaVinci Resolve Studio.

Production

The Cinebot Mini Brings Precision and Flexibility to Back-to-School Campaign

Drive-Thru Productions used Cinebot’s precise, versatile motion control features to digitally integrate shots into a one-shot commercial, and record three different aspect ratios at once.

Production

Blackmagic Remote Collaboration Tools Keep ARTE’s New Series Rolling

Shot in Blackmagic RAW on URSA Mini Pro 12K, with crews and editors dispersed, it was Cloud Store, Cloud sync and DaVinci Resolve project sharing that kept this project moving.

Production

Houses of Worship Get a Cinematic Look from AbelCine, Diversified and AJA

Specialists from AbelCine and Diversified talk about developing cinematic live pipelines tailored for faith-based productions, featuring live grading capabilities powered by AJA ColorBox.

Colorfront Jozsef Hatfaludi receives HDR Vivid Award1

Production

Colorfront Transkoder Achieves HDR Vivid Colour-Grading Award for Mastering

Colorfront Transkoder is among the first software applications to receive the HDR Vivid Colour-Grading Award, performing mastering capabilities that meet this new standard, end-to-end.

Signiant aspyr borderlands2 screenshot 1

Production

Signiant Helps Aspyr Media Revive Classic Games on New Platforms

Game developer Aspyr Media specialises in reviving classic games and uses Signiant’s Media Shuttle to move its large game builds and source code repositories quickly, and speed up proposal processing.

Production

SWR Deploys Sony VERONA LEDs and OCELLUS for Virtual Production Innovation

SWR’s project explores the potential of virtual studio production for TV programming, based on virtual worlds displayed on a Sony VERONA LED wall plus three cameras tracked with OCELLUS.

Production

Ross Video Acquires ioversal Ahead of Expansion into Experiential Systems

Ross Video acquired audiovisual production workflow developer ioversal, creator of the Vertex platform for immersive experiences, to strengthen its end-to-end live production ecosystem.

Production

SMPTE to Receive Engineering Emmy for the ST 2067 Standards for IMF

National Academy of Television Arts & Sciences will award SMPTE a Technology and Engineering Emmy for its ST 2067 standards, defining the Interoperable Master Format (IMF).