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• ARRI 265 Delivers Large Sensor 65mm Cinematography in a Compact Design

• ARRI Acquires Top Entertainment Lighting Manufacturer Claypaky

• ARRI ARTEMIS 2 Live Camera Stabilizer Adapts to EFP/ENG Productions

• ARRI Expands Virtual Production Partnerships for Studios and Content Producers

• ARRI Orbiter Beam Delivers Optimal Brightness for Long-Throw Applications

• ARRI’s New Tuneable Ensō Prime Lenses Take ARRI Looks to a Wider Market

• Artists Render Traditional Animation in Unreal Engine to Tell a Thrilling Tale

• ASF Launches Zero Trust Working Group, Welcomes Raynault VFX and Stability AI

• ATEM Television Studio HD8 Packs Multi-Cam Streaming, Recording, Fairlight Audio

• Ateme and Capitol Broadcasting Elevate Live Content Quality with Dynamic HDR

• Ateme Enhances Personalised Ads with Updates to Apple HLS Specification

• ATEME’s TITAN Video Processing Fully Integrates Advanced HDR by Technicolor

• Audinate Dante Connect Supports Cloud-based Workflows; Releases New API

• Autodesk AI Workflows Move into Maya, Flame and Production Schedules

• Autodesk Maya and 3ds Max Introduce Golaem Crowds and AI Interactivity

• Autodesk Maya, 3ds Max, Arnold, Production Tracking Stay on the Edge for 2025

• Autodesk Releases Open RV on Academy Software Foundation GitHub

• Autodesk Turns to Open Standards for M&E Software Updates and Workflows

• AuviTran’s AxC-AES67 Card Bridges Interoperability Issues at Millenium Centre

• Avid and Wolftech to Mobilise Digital-First, Story-Driven Newsrooms

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