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• Maxon Winter Release Updates Boolean Generator, Contour Renders, ZBrush

• Michael Cliett Brings Realism, Drama and Beauty to ‘Shōgun’

• Modo 17.0 Prioritises Performance and Interactivity, Bundles OctaneRender

• Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

• MSI Creator Z16P Pushes Performance and Graphics Memory for Virtual Creators

• MSI CreatorPro X17 Laptop’s Colour and Accuracy Spans Professional Applications

• MSI Develops AI-Powered Laptops with Intel Core Ultra and Intel Core i9 CPUs

• MSI RTX 40 Laptops Feature NVIDIA Ada Lovelace Architecture at CES

• MSI Tunes Up New AI-Powered Laptop Series for Speed and Creativity

• MUSHANG VFX Lab Puts Virtual Production on Stage in Sydney

• Nara’s Real-Time Media Access and Collaboration Unifies Harbor’s Global Studios

• NEP Deploys Pixotope Remote Real Time Virtual Production at E1 Speedboat Series

• Nuke 16.0 Adds Multishot Compositing, Updates BlinkScript and Timelines

• NVIDIA Extends Tools and GPU Power to Remote Artists and Developers

• Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Pomfort Upgrades Livegrade with Remote 3D LUT Control for Virtual Production

• ProSiebenSat.1 Deploys EVS Live Content Workflows for Production and Replays

• Qumulo and HPE GreenLake Scale the Post Environment at Origo Studios

• Qumulo Puts PFX in Control of Studio Storage Capacity, Performance and Scale

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