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• Cinematographer Blake McClure ASC Shoots on Blackmagic URSA Cine 17K 65

• Cinematographer Chooses ZEISS and Sony VENICE to Capture ‘Barbarian’

• Cinematographer Keeps Video Conferencing Quality on Track with AJA U-TAP

• Cinematographer Mandy Walker to Judge at FilmLight Colour Awards

• Cloud Playout – Conspiring to Limit Costs and Carbon Footprint

• Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

• Cloudbass IP OB Vehicles Support Live Remote Workflows on arkona and manifold

• Cobalt Digital Pushes Toward IPMX Adoption and Flexible Audio Monitoring

• Cobalt Digital Set to Exhibit a Full Line-up at ISE for the First Time

• Cobalt Digital UltraBlue IP-MV Multiviewer Turns the Focus on IP Operations

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

• Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

• Colorfront Develops New AI Tools and Automation for Mastering and QC

• Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

• Colorfront Transkoder Achieves HDR Vivid Colour-Grading Award for Mastering

• Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

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