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AEAF Enter
  • Cinegy Expands Playout Capabilities for New Channels at CANAL+ Polska

  • Cinegy Multiviewer 24.2 Optimises Performance, Maximises GPU Acceleration

  • Cinematographer Mandy Walker to Judge at FilmLight Colour Awards

  • Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

  • Colorfront Brings Dolby Vision, AI and New Colorfront Engine Features to NAB

  • Colorfront Builds On AI/Automation Tools, Dolby and Apple Collaborations

  • Colorfront Develops 8K/HDR Streaming Tools, Updates Mastering Workflows

  • Colorfront Develops New AI Tools and Automation for Mastering and QC

  • Colorfront Shows HDR Cinema Mastering Tools at CineEurope 2025

  • Colorfront Transkoder Achieves HDR Vivid Colour-Grading Award for Mastering

  • Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

  • Colorfront’s Reference-Grade Remote Reviews Perfect Colour Workflows

  • Colour and Cinematography Push Time and Place on TV Series Eric

  • Colour Grade Brings History, Mythology and Drama to Life for Thangalaan

  • Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

  • Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

  • Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

  • Colourist Sam Chynoweth Creates a Look in the Mirror for Black Mirror Season 7

  • Colourist Sam Chynoweth Recreates Looks from the Past for Black Mirror Series 7

  • Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

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