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• Maxine Gervais Joins Harbor as Senior Colourist

• ‘The Brutalist’ Under the Skin – Post Workflows with Signiant Media Shuttle

• 424 Post and Harbor Unite to Launch HDR Theatrical Post Studio

• 7fivefive Expands Virtual Infrastructure Partnership with BBC Studios

• Academy Software Foundation Launches Open Source Forum 2023

• Adam Dolniak Finds the Colour of Amazing for ‘The Amazing Maurice’ 

• Adobe Brings Major Updates to Frame.io, Firefly, Photoshop at NAB, Adobe MAX

• Adobe Firefly Adds Structure Reference Functionality for Creative Control

• Adobe Launches Firefly Video Model, Ready for New Creative Cloud Applications

• Adobe Lightroom Adds Generative Remove and Lens Blur Based on Firefly AI

• Adobe Photoshop Tools Reach Mobile Users Across Devices and Browsers

• Adobe Premiere Pro and After Effects Gain Speed and Intelligence for Video Post

• Adobe Saves Time with Updates in Premiere Pro, After Effects and Frame.io

• Adobe Substance 3D Workflows Now Include Firefly Generative AI Features

• Adobe Updates Premiere Pro Colour Management and After Effects 3D Workspace

• Adobe Visualises a New Audio Editing Workflow for Premiere Pro

• Advanced HDR By Technicolor Demos HDR for Live Broadcast and Streaming at CES

• AEAF Awards Attracts Brilliant New Projects – Enter Now

• AIMS Member Kiosks Highlight Interoperability of IPMX at ISE 2025

• AJA and AWS Preview Virtual KONA for Software-Defined Video Capture/Playback

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