facebook

Designed with ❤ by jsns.eu

Enter Part of Title Filter Clear

Display # 5 10 15 20 25 30 50 100 200 500 All

• Molinare’s Ross Baker Brings a Love of Colour to Television and Film

• MSI Prestige 16 Studio Wraps Up RTX Graphics, Accurate Colour with Portability

• MTI Cortex v5.5 Adds New AI Tools for Frame Rate Conversion and Up Resolution

• Nara’s Real-Time Media Access and Collaboration Unifies Harbor’s Global Studios

• NEP and Grass Valley Develop Competitive IP OB Fleet for the Middle East Region

• Panasonic’s LUMIX GH7 Records Apple ProRes RAW, Adds ARRI LogC3 Profile

• Park Jin-ho Pulls a Story from Colour and Contrast in 'No Other Choice'

• Pebble and NVIDIA Collaborate to Align PRIMA with NVIDIA Holoscan for Media

• PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers

• Picture Shop Names Rachel Faith Hanson as Executive Producer of VFX

• Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid

• Pomfort Upgrades Livegrade with Remote 3D LUT Control for Virtual Production

• Preymaker Welcomes Colourist Mark Sanna to its Creative Team

• Qumulo and HPE GreenLake Scale the Post Environment at Origo Studios

• Racoon Adds Baselight TWO, Blackboard and a new Senior Colourist to the Team

• Reaktor Post Grades ‘Érase Una Vez En El Caribe’ on Baselight 6.0

• Renderboxes Photon Makes 3D Workstations Portable

• Rodeo FX Adds Colour Grading with Baselight, Hires Ana Ecorse

• RTS Migrates Grading Suites to Resolve, Balancing Overhead with IT Innovation

• Sonny Sheridan Lives a Life for Colour

Page 7 of 8

© 2000 - 2026 Digital Media World