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• Colourist Sean Dunckley Joins Goldcrest Post's Senior Creative Team

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

• Damien Vandercruyssen Defines the Colour of Dreams for 'Bardo'

• DaVinci Resolve and Blackmagic Cloud Support Frida’s Remote Post Workflow

• DaVinci Resolve and Fusion 19.1 Update Multi-cam, Audio and VFX Workflows

• DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

• DaVinci Resolve Studio and Blackmagic Cloud Solve 4K Picture Post at BSQUARED

• DaVinci Resolve Studio Handles Complete Picture Finishing for BBC Series ‘Vigil'

• DaVinci Resolve Studio Tames the Colour Grade for ‘Godzilla Minus One’

• Defining the Real Gotham City in Colour and Light for ‘The Penguin’

• Deidre McClelland Finishes and Grades Memoir of a Snail in DaVinci Resolve

• Dirty Looks Bring Authenticity to 'The Zone of Interest' with Naturalistic Colour

• Douglas Delaney Joins Light Iron as Supervising Colourist

• EditShare Accelerates Collaborative Post Workflows with Shared Storage at Tint

• Elodie Ichter Builds a Look from History on Baselight for FX’s ‘Shōgun’

• Élodie Ichter Joins Light Iron as Senior Colourist

• ETC Adopts FilmLight FLUX Store for Flexible Post Storage Management

• FilmLight Colour Awards Winners Share Tips, Insights and Stories

• FilmLight Nara Connects Creative Teams with Native Media Decodes and Playback

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