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• PFX Balances Nostalgia, Comedy and VFX Precision for The Naked Gun

• Phantom Media Group Launches to Unite VFX and Animation Talent

• Picture Shop Names Rachel Faith Hanson as Executive Producer of VFX

• Pitch Black Appoints New Vice President of Operations

• Pixotope Announces Major Hires in APAC Region

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship

• Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan 

• Qumulo Private Availability Launches its Cloud Native File System on AWS

• Raúl Lavado on Dedicating a Career to Colour, Art and Technology

• RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

• REALTIME Launches New Virtual Production and Development Division

• RecodeXR Selects Brompton LED Processing for Full Virtual Production Services

• ReDefine Builds Crowds with Heart for ‘I Wanna Dance with Somebody’

• Renderboxes Photon Makes 3D Workstations Portable

• Residence Expands its Creative Network with Leadership Transformation

• Rising Sun Pictures Takes to the Open Sea for Manga Series ‘One Piece’

• Rodeo FX Adds Colour Grading with Baselight, Hires Ana Ecorse

• Rose Hancock Joins Axis Studios as VFX Executive Producer

• Shutterstock Launches a Generative 3D API for 3D Scene Building with AI

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