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PHABRIX Develops Waveform Monitoring for Qx and QxL Rasterizers
Picture Shop’s Mark Kueper Uses DaVinci Resolve Studio to Capture Billy the Kid
Pixel Power and ITV Launch Dynamic, Automated New Channel Identity
Pixotope Announces Major Hires in APAC Region
Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour
Pixotope to Hold Virtual Production Networking Event in Singapore
Preymaker Opens Cape Town Studio, Launches Recruitment and Scholarship
Preymaker Welcomes Colourist Mark Sanna to its Creative Team
Preymaker Welcomes Producers Clairellen Wallin and Mike Pullan
Projective and LucidLink's Integration Enables Cloud Post-Production at Scale
Quicklink Studio Connects 80 Countries During MTA’s Jalsa Salana UK Broadcast
Qumulo Private Availability Launches its Cloud Native File System on AWS
Qvest Integrates Avid MediaCentral at rt1.tv to Optimise Media Workflows
Rapid Blue Works with EditShare for TV Post and Distribution
Raúl Lavado on Dedicating a Career to Colour, Art and Technology
RCN Colombia Deploys Zixi to Distribute Spanish-language Content to US Affiliates
Reaktor Post Grades ‘Érase Una Vez En El Caribe’ on Baselight 6.0
RED Digital Cinema Announces Acquisition by Nikon Corporation
ReDefine Builds Crowds with Heart for ‘I Wanna Dance with Somebody’
Remote Production, JPEG XS and Environmental Impacts of Live Sports Broadcasts
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