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• Support for Native Cloud-based Dante Audio Transmission Continues to Grow

• Survival, Disasters and Virtual Production on ‘No Way Up’

• Swank Motion Pictures Enlists Interra BATON for Automated Quality Control

• Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

• Tata to Acquire The Switch in a Move toward Global Live Video Production

• The Imaginarium Studios Names Maeve Russell Head of Production

• The Mill and Kawasaki Wear Mullets to the Super Bowl

• The Rebel Fleet Works On Set with AJA for Assist, DIT and Dailies Workflows

• Tim Belcher Joins Light Iron as New Managing Director

• Time in Pixels and AJA Push Ahead with Video Analysis for Post

• Trusted Partner Network on Taking a Best Practice Approach to Content Security

• Union VFX Moves its CG Pipeline to USD Format

• Union VFX Opens First International VFX Facility in Montréal

• V-Ray 6 for Houdini Advances with Solaris, Volumetrics and Lighting Developments

• V-Ray 7 for 3ds Max Supports 3D Gaussian Splats, Virtual Tours and Luminaires

• Vizrt Develops Native NDI Bridge Multi-Channel Video Conversion Tool

• Whiskeytree Creates a Wartime World for ‘Masters of the Air’

• Whisper Invests in New EditShare Network to Extend Documentary Services

• Wild Capture Joins Human & Digital Talent Registry Beta for Rights Management

• Wounded Buffalo Studio Specialises in Natural History Soundscapes on Avid

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