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• Maxon One Spring 2024 Brings Particle Simulations and Non-Photoeal Renders

• Maxon One Update Introduces New Maxon Capsules and Redshift Shaders

• Maxon One Upgrades from 3D Modelling to Motion Design to Unreal Integration

• Maxon Releases ZBrush for iPad, Enhances Precision, Speed, Control for All Tools

• Maxon Studio Accelerates New Graphics Looks and Animations for After Effects

• Maxon Winter Release Updates Boolean Generator, Contour Renders, ZBrush

• Media Prima Scales and Speeds Newsroom Production with Integrated Workflows

• Michael Cliett Brings Realism, Drama and Beauty to ‘Shōgun’

• Mo-Sys Works with Assimilate on StarTracker Integration with Live FX

• Molinare Welcomes Carlotta Rio to its Colourist Team

• Molinare’s Ross Baker Brings a Love of Colour to Television and Film

• Moments Lab Adds AI-Powered Content Discovery to Adobe Premiere Pro

• Moments Lab Delivers Public API for MXT Multimodal AI Indexing

• Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

• MovieLabs Forms Industry Forum Leadership Council to Support Global Media Innovation

• MPC and Mikros Animation Welcome Senior Technology Officer Doug Bloom

• MPC Builds a Lion’s World for ‘Mufasa: The Lion King’

• MPC Creates VFX and Surreal Dreams for Alejandro Iñárritu’s ‘Bardo’

• MPC Welcomes Lucinda Keeler as Head of Production for London

• MRMC Motion Control Captures High-Speed Action Short with Precision

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