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• Matrox DSX ST 2110 NICs Support IP Networks for Pixotope’s Virtual Live Graphics

• Maxon Cinebench 2026 Assesses New NVIDIA, AMD and Apple Hardware

• Maxon Develops Digital Twin for Accurate Creative Control across Pipelines

• Maxon One Spring 2024 Brings Particle Simulations and Non-Photoeal Renders

• Maxon One Spring 2026 Extends ZBrush and Cinema 4D Further Across Mobile

• Maxon One's Cinema 4D Gains Fluids, Redshift Controls Texture Displacement

• Maxon Releases ZBrush for iPad, Enhances Precision, Speed, Control for All Tools

• Maxon Studio Accelerates New Graphics Looks and Animations for After Effects

• Maxon Winter Release Updates Boolean Generator, Contour Renders, ZBrush

• MÉTÉO CONSULT Modernises Compliance and Archiving on Actus Digital Platform

• Michael Cliett Brings Realism, Drama and Beauty to ‘Shōgun’

• Modo 17.0 Prioritises Performance and Interactivity, Bundles OctaneRender

• Movie People Deploys Sony Cameras, LEDs and Tools for Virtual Production

• MSI Develops AI-Powered Laptops with Intel Core Ultra and Intel Core i9 CPUs

• MUSHANG VFX Lab Puts Virtual Production on Stage in Sydney

• National Lacrosse League Selects Viz Flowics for Remote Production Graphics

• Octopus and Aveco Automate NRCS Operations at WestCom Broadcast Services

• Pebble to Show Playout Innovations and Workflows in Action at Broadcast Asia

• Pebble’s Automation and Integrated Channel Manage Playout for SRF Facility

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

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