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• b-com’s AI-Powered SDR-HDR Converter Enhances Set-Top Boxes at Vantiva

• Bahrain TV and Grass Valley Partner for Live News and Region's First IP Playout

• Bitmovin and Thinking Media Personalise New Experiences for Streaming Viewers

• Blackmagic URSA Cine 12K LF Captures Lives of Children in Light and Shadow

• Blackmagic URSA Mini Pro 12K OLPF Preserves Colour and Detail in High Res Video

• Bridge Technologies’ Canvas Interface Customises VB440 IP Probe Workspace

• Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

• Brompton Illuminates a Sci-fi Journey at CUBE Studio for Afterglow Short Film

• Brompton, Absen and STS Bring LED Processing for Virtual Production to Life

• Cinegy Air Adds HDR/SDR Playout, Audio Watermarking, Graphics Engine Update

• Cloudbass Adopts Grass Valley for New IP Remote Production Vehicles

• Colorfront Upgrades SDR/HDR Video Mastering and Streaming Workflows

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Dalet AmberFin Adds New Workflow and Pricing Options for Media Processing

• DaVinci Resolve and Blackmagic Cloud Support Frida’s Remote Post Workflow

• DaVinci Resolve Studio and Blackmagic RAW Solve Remote Post for Indie Film

• DaVinci Resolve Studio Handles Complete Picture Finishing for BBC Series ‘Vigil'

• DaVinci Resolve Studio Tames the Colour Grade for ‘Godzilla Minus One’

• Digital Film Technology Appoints Gunter Weidlich as Managing Director

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