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• Sony’s CCU Camera and 4K Live Production Monitors Support ST 2110 IP Workflows

• Spafax | The Hub Takes Interra’s BATON Inflight to Upgrade File-Based QC

• Spin Digital Integrates Zixi Protocol and Services for 4K/8K Immersive Video

• Squid Game Season 2 Takes Another Chance at Colour, Drama and Life

• Stage Sound Services Brings Brompton Colour and INFiLED Screens to Live Theatre

• TAG Develops Automatic Subtitle Language Detection and New Control Interface

• Tashi Trieu Delivers on Post and Colour for ‘Avatar: The Way of Water’

• The HELM Looks Ahead to the Broadcast Production Future with ALEXA 35 Live

• The Rebel Fleet Works On Set with AJA for Assist, DIT and Dailies Workflows

• Time in Pixels and AJA Push Ahead with Video Analysis for Post

• Two Wheels Motor Racing and Harmonic Partner to Distribute Live Racing in Asia

• URSA Cine 17K 65 Captures Charleston’s Beauty and Heritage in Tourism Campaign

• Versatile Video Coding VVC Set for a Year of Advances in 2024

• Viz Engine 5.4 Delivers Multi-Platform Graphics from a Single Workflow

• WLab, Brompton and Pixreal Expand Virtual Production Opportunities for Film

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