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• Bluefish444 Adds KRONOS K8 I/O Support for Adobe Creative Cloud

• Box to Box Works with MediaSilo to Manage and Review Works in Progress

• Brompton and La Planète Rouge Collaborate on Immersive Sets for Feature Films

• Church Uses Blackmagic ATEM to Customise Global Live Streaming Workflows

• Cinegy Capture 24.1 Captures and Encodes Multiple SDI/IP Streams

• Cinegy Capture CAPTURES ENVY’s New Remote Workflow Service

• Colombia’s Canal 1 Acquires Production-to-Post Workflow from Blackmagic Design

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• CP Communications Takes 2023 TCS New York City Marathon to the Cloud

• Cricket Australia Adopts Dalet Flex to Enhance Monetisation and Fan Experience

• Dalet Pyramid Updates and Expands News and Editorial Systems at RNZ

• Dalet Transforms Italy’s Premier Football League into a Sports Media Enterprise

• DaVinci Resolve and Blackmagic Cloud Support Frida’s Remote Post Workflow

• DaVinci Resolve and Fusion 19.1 Update Multi-cam, Audio and VFX Workflows

• DaVinci Resolve Brings Indian Spectacle ‘Kantara’ to Worldwide Audience

• Deltatre Adopts Imagine IP Network to Deliver Live Graphics for Lega Serie A

• Discovering SMPTE’S METexpo 2024 from Control Room to Cloud

• Dreamtek Deploys Blackmagic for Complex Live Production and Post Workflows

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