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• NIM Labs NIM 7.0 Visualises Production Scheduling for Studios

• Nuke 16.0 Adds Multishot Compositing, Updates BlinkScript and Timelines

• ON TV Migrates Up to Pebble’s Updated Enterprise Automation Platform

• OpenDrives Atlas 2.9 Helps Mid-Sized Studios Scale Storage and Workflows

• ORF and Bitmovin Work Together to Optimise Video Streaming Experiences

• ORION-CONVERT Pipeline and AJA ColorBox Simplify Colour for Live Productions

• Pixotope Integrates Unreal Motion Design, Updates Animation, Tracking, Colour

• Pixotope to Hold Virtual Production Networking Event in Singapore

• QTAKE Pro 2.2 Adds On-set Dolby Vision and Forensic Watermarking Workflows

• Quicklink Studio Connects 80 Countries During MTA’s Jalsa Salana UK Broadcast

• Qumulo and Superna Partnership Delivers Real-Time Ransomware Protection

• Qumulo Puts PFX in Control of Studio Storage Capacity, Performance and Scale

• R&S PRISMON Manages and Monitors IP and SDI Signals for 3Cat’s 24hr News

• Racing WA Delivers Scalable, Low-latency Race Coverage with GV AMPP and AWS

• Racoon Adds Baselight TWO, Blackboard and a new Senior Colourist to the Team

• Rapid Blue Works with EditShare for TV Post and Distribution

• RCN Colombia Deploys Zixi to Distribute Spanish-language Content to US Affiliates

• RE:Vision Effects Twixtor Frame-Rate Conversion Plug-ins Are Now Standalone

• Reaktor Post Grades ‘Érase Una Vez En El Caribe’ on Baselight 6.0

• Ross to Adopt NDI Advanced to Extend Networking and Video Connectivity

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