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• Cloudbass IP OB Vehicles Support Live Remote Workflows on arkona and manifold

• Cobalt Digital and SineSix Make Accessibility Compliance Simple and Engaging

• Colorfront Transkoder Achieves HDR Vivid Colour-Grading Award for Mastering

• Colour and Cinematography Push Time and Place on TV Series Eric

• Colour Grade in DaVinci Resolve Studio Tells a Civil War Story in The Damned

• Colourist Claudio Del Bravo Masters Colour and Light, Frame by Frame

• Colourist Pankaj Bajpai Changes the Colour of Historical Drama for ‘Bridgerton’

• Colourist Sam Chynoweth Creates a Look in the Mirror for Black Mirror Season 7

• Colourist Sam Chynoweth Walks the Line from Memory to Life for Black Mirror

• Colourist Tom Cairns Builds Looks and Stories with Brick and Mortar

• Company 3 and Baselight Align on the Colour Grade for ‘The Gentlemen’

• Comprimato Live Transcoder Adds JPEG-XS for Broadcast Contribution

• Coralbay.tv Selects AJA BRIDGE NDI 3G to Support Hybrid Cloud Playout

• Cosmic Dino Studio Scales Up 3D Animation Resources for ‘Scarygirl’

• Creating a Supernatural Colour Grade for ‘Salt Along the Tongue’

• Creative Technology Adopts Imagine SNP Worldwide for Flexible IP Gateways

• Cuez Unifies Production of Three Live Shows as One at ITV Studios

• Dalet Flex LTS Upgrades Searching, Editing and AI Services for Media Workflows 

• Dalet Flex Optimises Monetisation with Fast Deployment and Scalability

• Dalet Transforms Italy’s Premier Football League into a Sports Media Enterprise

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