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• Autodesk AI Workflows Move into Maya, Flame and Production Schedules

• Autodesk Certifies ATTO FastFrame 50Gb Adapters on HP and Dell

• Autodesk Maya, 3ds Max, Arnold, Production Tracking Stay on the Edge for 2025

• Autodesk Releases Open RV on Academy Software Foundation GitHub

• Autodesk Turns to Open Standards for M&E Software Updates and Workflows

• Bardel Optimises and Expands into Cloud Animation Pipeline on AWS

• BlueBolt Recreates Historic Battles in Toulon and Paris for ‘Napoleon’

• Chaos Plans its AI Future for Visualisation and Storytelling

• Cinesite Agrees to Invest in The Imaginarium Studios

• Conductor Cloud Render Platform Now Supports SideFX Houdini

• CoreWeave Acquires Conductor Technologies to Expand Services to VFX Studios 

• Cosmic Dino Studio Scales Up 3D Animation Resources for ‘Scarygirl’

• Dalet Flex Enhances Efficiency Across the Content Supply Chain

• Das Element 2.1 Adds Control and Convenience to VFX Asset Libraries

• Deidre McClelland Finishes and Grades Memoir of a Snail in DaVinci Resolve

• Digital Domain Relaunches Advertising Experiences Group With New Hires

• Digital Domain Visualises a Choctaw Origin Story for Marvel’s New Series ‘Echo’

• Digital Domain Welcomes Gabrielle Gourrier as Executive Vice President of VFX

• Dimension Studio Announces Expansion With Key Executive Hires

• disguise and Move.ai Generate Real-Time Mo Cap for Live and Virtual Worlds

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